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Villa Valmarana ai Nani in Vicenza consists of three buildings located in a large park. The Palazzina (1669), the Foresteria and the Scuderia (1720) are surrounded by rose gardens, an Italian garden with a scenic backdrop and a well, and a hornbeam.
The Palazzina and the Foresteria are frescoed by Giambattista and Giandomenico Tiepolo, called in 1757 by the owner, Giustino Valmarana. The Villa takes its name from the statues of the 17 stone dwarves, once scattered in the garden, now arranged on the wall surrounding the property. The suggestive legend of Princess Layana is linked to them. It is assumed that the real executor of the Dwarves is Francesco Uliaco and the inspirer Giandomenico Tiepolo.
Sunday 27 February 2022 Villa Valmarana ai Nani will be colored with sounds, images and delicacies to celebrate the first Carnival concert in collaboration with Be Ancient Be Cool.
Two hours of fascinating Baroque, Vicentine and Venetian music, a good glass of wine and a pleasant guided tour of the frescoed rooms of the Palazzina della Villa.
For the occasion, the trio Oblivion Soave will perform, with a soprano accompanied by archlute and baroque cello, a selection of Canzoni da Battello, a repertoire performed by Venetian gondoliers in the first half of the eighteenth century, famous for being burlesque, ironic It is funny.
At the end of the concert, everyone present will be offered a glass of wine or fruit juice, for the little ones, accompanied by biscuits from the confectionery firm Loison.
The event will end with a guided tour of the building, frescoed in the mid-1700s by Giambattista Tiepolo and his son Giandomenico.
For tickets, please visit the website: https://www.villavalmarana.com/it/carnevale
The villa can be reached from the center of Vicenza and from the Relais Santa Corona in about 15 minutes on foot.

Causa Coronavirus il Relais Santa Corona adotta le seguenti norme al fine di evitare qualsiasi contatto e mettere in sicurezza gli ospiti e gli operatori:

il check-in verrà fatto o in presenza del personale o in autonomia dall’ospite a seconda della preferenza, con prelievo della chiave elettronica da una cassetta di sicurezza posta nell’androne e accessibile nelle 24 ore. Il documento verrà richiesto al momento della prenotazione così come la carta di credito a garanzia.

Al check-out l’ospite potrà lasciare la chiave in camera ed uscire in completa autonomia.

Per maggiore sicurezza le chiavi magnetiche, i telecomandi, le pulsantiere verranno protette da pellicole monouso o sempre sanificate adeguatamente.

Le stanze vengono occupate solo se rimaste inutilizzate ed arieggiate almeno 3 giorni, il giorno prima dell’arrivo dell’sopite vengono preparate e sanificate.

Due to Coronavirus, the Relais Santa Corona adopts the following rules in order to avoid any contact and make guests and operators safe.

The check-in will be done in the present of the staff or independently by the guest depending oon the preference with the collection of the electronic key from a safe located in the entrance hall and accessible within 24 hours. The document will be requested at the time of booking as well as the credit card as guarantee.

Upon check-out, the guest can leave the key in the room and exit independently.

For greater safety, magnetic keys, remote controls and push-button panels will be protected by disposable films or sanitize after use.

The rooms are occupied only if they have been left unused and aired for at least 3 days, the day before the arrival of the guest they are prepared and sanitized.

Until 26 January 2020, in the Baroque setting of the splendid Palazzo Leoni Montanari, next to our Relais Santa Corona, the exhibition “Kandinskij, Gončarova, Chagall. Sacred and beauty in Russian art” will be held.

The masterpieces of Russian artists are around 45 and interact with the precious collection of icons of Intesa San Paolo. A series of works, many of which have never been seen in Italy, mostly from the main museum of Russian art in Moscow, the Tretyakov Gallery, and also from the museums of Yaroslavl, Astrakhan, from the MMOMA (Moscow Museum of Modern Art ) And the Bakhrushin Museum of Performing Arts in Moscow, as well as the Musée Natiònal Marc Chagall in Nice and the Museum of Modern Art Costakis collection in Thessaloniki.

The Russian art world renews its interest in icons in the 20th century, even though by the 1800s many artists had shown interest in this kind of sacred art, but it is with the avant-gardes that the apotheosis is noted. For the Russian people – as Kandinsky constantly repeats – beauty is a sort of inner necessity that comes from experiencing, in everyday life (byt), even the invisible (nevidimoe).

Visiting the museum is an opportunity to learn more about Vicenza and all its surrounding beauties!

For info on entry methods and tickets, please consult the website https://www.gallerieditalia.com/it/vicenza/mostra-kandinskij-goncarova-chagall/

New appointment with guided tours held by the Vicenza guides, Saturday 28 September at 6.15 pm to discover the most famous Palladian villa, the Rotonda.

The garden, the noble floor and also for the occasion the ground floor and kitchens, usually closed, will be visited. True stories, chronicles of the villa and of the Vicenza society of the time.

A visit to the villa is an excellent opportunity to discover the city of Vicenza, a UNESCO heritage site.

For reservations, please write to our reception of our Relais Santa Corona at info@relaissantacorona.it

http://www.villalarotonda.it/it/homepage.htm

The Villa:

Villa Almerico Capra called La Rotonda (also known as Villa Capra Valmarana) is a Venetian villa with a central layout located near the city of Vicenza, not far from the road of the Riviera Berica. Built by Paolo Almerico, who commissioned it from Andrea Palladio in 1566-1567, it was completed by Vincenzo Scamozzi in 1605 for the two Capra brothers, who had acquired the building in 1591.

La Rotonda, as it later became known, is one of the most famous and imitated buildings in the history of modern architecture; it is undoubtedly the most famous villa of Palladio and, probably, of all the Venetian villas. It is part of the UNESCO World Heritage Sites since 1994.